jewelry wholesale suppliers tucson az
4 thoughts on “jewelry wholesale suppliers tucson az What is the development of ancient Chinese gold and silverware?”
Leave a Comment
You must be logged in to post a comment.
jewelry wholesale suppliers tucson az
You must be logged in to post a comment.
wholesale jewelry sets in bulk usa The emergence and development of Chinese gold and silver has gone through a long historical stage. The gold and silver wares of each period have their specific historical and cultural connotations. Let us go back to the ancient years and understand its development trajectory.
The Shang Zhou gold and silver device: small and simple
. China has found the earliest gold products in the archeological excavation so far, which has been from the Shang Dynasty, which has a history of more than 3,000 years. The distribution range of Shang Dynasty gold wares is mainly the Central Plains region centered on Shang culture, as well as ethnic minorities in the north of the Shang Dynasty, northwest and southwest. In today's Henan, Hebei, Shandong, Inner Mongolia, Gansu, Qinghai, and Sichuan have all found gold wares during this period. Generally speaking, the gold wares of this period are relatively simple in shape, small shapes, and rare decorations. Most of them are decorations.
If compared with gold wares unearthed from the surrounding areas, they will find that they seem to develop on several parallel lines that do not interfere with each other. In terms of shape and occasional discovery, the characteristics of regional culture are very distinctive. Most of the gold products in the Shang Dynasty Rule of Rule are gold foil, gold leaf and gold, mainly used for utensil decoration. Gold jewelry in the north and northwestern regions of the Shang Dynasty is mainly gold jewelry worn by personal. Among the gold wares discovered during this period, the most notable of people was a batch of gold wares unearthed from the early Shu cultural site in Samsung, Sichuan, Sichuan, Sichuan. Not only the number is large, but also a unique shape. Among them, the unique golden masks, gold sticks and various gold ornaments are also unprecedented by business culture and other regional culture. The early development of gold and silverware also reflects the diversity and imbalance of China's early civilization development. This is determined by the vast number of Chinese and natural conditions.
The prosperity and development of bronze craftsmanship during the Zhou Dynasty, laid a strong material and technical foundation for the development of gold and silver instruments. At the same time Make gold and silver instruments in a broader field to play its aesthetic function in more forms. Most of the early gold and silver products were decorations, and the most common gold foil was mostly used for accessories on other utensils, or in other words, to enhance the beauty of the utensils in the form of combining with other utensils. At the latest in the Western Zhou Dynasty, gold and silver officers appeared.
The Spring and Autumn Warring States Gold and Silver Ware: Fresh and lively
During the Spring and Autumn Period and the Warring States Period, social change brought major changes in the field of production and life. The emergence of a large number of wrong gold and silverware has almost become a sign of the high level of technology at this period.
In from the point of view, the distribution area of the gold and silver instruments during this period was significantly expanded, and it was found in the south and north. There are many types of gold and silverware. The emergence of gold and silver utensils and the appearance of a considerable part of silverware are very eye -catching. From the perspective of gold and silver artistic characteristics and production technology, the north and south are different and the style is very different. The high development of a large number of gold and silverware unearthed from the Tomb of the Northern Huns and its golden craftsmanship is particularly dazzling.
During this period, in the tomb site in the Central Plains area, the tomb of Qin Guo, No. 2, Baoji Yimen Village, Baoji, Shaanxi, the Tomb of Jincun, Luoyang Village, Henan, Weiwei Village, Henan Hui County, Wei Guo Cemetery, Hebei Pingshan County Wang Tomb The most representative gold and silverware. At this time, although the number of gold and silverware unearthed in the southern region was not large, it was very eye -catching. The most important discovery is a batch of gold wares unearthed from Zenghou Yi in Sui County, Hubei. The gold and silver wares in the Central Plains and the southern region are generally different from the shape style of the gold and silverware in the Northern Huns' ethnic minority areas. Most of its production techniques come from bronze technology.
Qin and Han Gold and Silver Wealth: Prosperity and Development
The Qin Dynasty gold and silver instruments are extremely rare so far. In the funeral utensils of Liu Xiang, the King of Western Han Dynasty in Zibo Village, Zibo, Shandong, he found a gold -engraved silver plate made by Qin Shihuang in 33 years. Exquisite production and decoration. This method of gold in the silverware pattern is very popular in the Tang Dynasty, and the golden flower and silver disk are also very distinctive varieties in the Tang Dynasty gold and silver wares.
In the study of these gold and silver accessories, it can be proved that the production of gold and silver instruments in the Qin Dynasty has comprehensively used casting, welding, silk, embedded casting, grinding, polishing, various mechanical connections and adhesive adhesion Waiting for technology and reaching a high level.
The Han Dynasty was a magnificent unified feudal empire, and his national strength was very strong. The gold and silver wares unearthed in the tomb of the Han Dynasty, whether it is quantity, variety, or production technology, far exceeds the pre -Qin era. Generally speaking, the most common in gold and silver wares is still jewelry, there are not many gold and silver utensils, and gold containers are even less common. It may be because the method of gilt gold in this period is prevailing, so it is used as a gold device. So far, the Han and silver utensils seen in the archeological excavations are mostly made of silver. Silver bowls, plates, pots, 匜 boxes, etc. are found in various places. Generally, the shape of the instrument is simple, mostly plain.
The gold and silver products in the Han Dynasty, in addition to continuing to use bags, inlaid, plating, errors to decorate copper and iron, they also make gold and silver into gold foil or clay dandruff. The most important thing to enhance the sense of richness is that the golden technology of the Han Dynasty itself gradually matured, and eventually escaped the traditional technology of bronze technology and moved towards the path of independent development. The maturity of the golden cricket craftsmanship in the Han Dynasty made the shape of the gold and silver, the decoration, and the color more delicate and exquisite, rich in rich, and laid the foundation for the development and prosperity of the future gold and silver instruments.
The gold and silver instruments in the Han Dynasty were found in Hebei, Henan, Shandong, Jiangsu, Anhui, Hunan, Guangxi, Guangdong, Shaanxi, Gansu, Jilin, Inner Mongolia, Xinjiang, Yunnan and other places. In addition to a large amount of gold and silver jewelry, there are mainly car and hunter, hooks, utensils, gold seals, and gold and silver medicine needles, which involve a wide range of surfaces. In the northern Xianbei tombs in the northern part of Jilin Province, the tomb of Xinjiang Wu Sun in the northwest, the hometown of the car master, and the ancient city of the ancient city, as well as the gold and silver in the Shizhai Mountain of Shizhai Mountain, Jinning, Yunnan, most of them are gold and silver accessories. Such as cards, golden flowers, jewelry, buckle, etc., have strong national colors.
The gold and silver instruments in the Wei, Jin, Northern and Southern Dynasties: Unique exotic
During the Wei, Jin and Northern and Southern Dynasties, social turmoils were more frequent, and social and economy was damaged. On the other hand, in the long -term coexistence of ethnic groups, the lives of each ethnic group have gradually merged with each other, exchanging further exchanges, and the spread of Buddhism and its art, which has made the cultural and artistic development of this period unprecedentedly. In the development of gold and silver, the development of the gold and silver device has made obvious imprints.
It from the situation of archeological excavations, the number of gold and silverware during this period is more. The social functions of gold and silver wares have further expanded, the production technology is more skilled, and the shape and patterns are constantly innovating. The more common gold and silver wares are still jewelry.
In tombs during this period, we can often see signs of mutual influence and integration between ethnic groups. The "Fanyang official seal" Turtle New Gold Seal, Golden Crown Towers, Character -shaped gold ornaments, and hollow mountain -shaped gold jewelry were unearthed in the tomb of Feng Sufu in Liaoning North Tickets. Nomadic style characteristics.
The gold and silver utensils during this period are still rare, and most of them have foreign colors. Such as the gold and silver disk unearthed in the village of Datong Station, Shanxi Datong Station, the silver high -footed cup and the Tremella cup, etc., except for the ear cups, the gold and silver plate and the silver high -foot cup are all Persa Sassas products. At the same time, with the spread of Buddhism and its art, the production and functions of gold and silver wares during this period were also affected. A golden card unearthed in the Tomb of Zhenjiang, Jiangsu, is rectangular. The front line is engraved with a naked whole body Buddha statue. This type of gold and silver products for Buddhism is extremely common after the Tang and Song dynasties.
The gold and silver instruments: Gorgeous
The Tang Dynasty, gold and silver artifacts have developed significantly. In recent decades, several large sects have found that gold and silver -shining gold and silver wares have become one of the signs that show the magnificent and brilliant signs of the Tang Dynasty. Isn't it? When you see the large number, rich category, unique shape, and exquisite patterns, you will definitely think of the strong, gorgeous and natural show of Tang culture and art.
can be said to be: The ancient Chinese gold and silver utensils were prosperous in the Tang Dynasty and its future, and the gold and silver utensils were prosperous in the Tang Dynasty and the future, and the gold and silver utensils represented the highest level of metal crafts. From the type of utensils, the Tang Dynasty gold and silverware can be divided into food, drinks, containers, medicines, daily miscellaneous wares, decorations and religious vessels.
The gold and silver wares of the Tang Dynasty are rich in color. These ornaments are the same as the shape of the instrument. They have strong characteristics and styles. Through them, we can really feel the colorfulness of the real life of the Tang Dynasty and the prosperity of culture and art.
The processing technology of the Tang Dynasty gold and silver wares is also extremely complicated and delicate. At that time, hammer, casting, welding, cutting, polishing, riveting, plating, carving, hollowing out, etc.
The Tang Dynasty lasted nearly 300 years, and the gold and silverware also experienced different stages of development.
The Tang Gaozong period (618-683 AD), there are not many types of instruments, including bowls, plates, cups, pots, dangs, etc. Its decorative characteristics are divided into many sections to configure patterns. The decorative interval is more than 9 petals, or even 14 petals. These areas are carved into U -shaped or S -shaped. Prisms are important features of this period.
Wu Zetian to the Tang Xuanzong period (684-755 AD), the type of device has increased. The decorative petals are mostly lotus petals and mostly double layers of stacked petals. U -shaped petals are rare, and S -shaped petals no longer appear.
In short, it can be said that the gold and silver utensils from the beginning of the Tang Dynasty to the Xuanzong period were greatly affected by the West, but at the same time, the process of Sinicization began, and external factors gradually decreased and disappeared. Such as high -foot cups, cups, folding bowls, more than five songs, and more than five songs and or more utensils with convex and concave changes. The pattern is ninja pattern, grape pattern, pearl pattern, treasure phase pattern, beast pattern and hunting pattern.
It Suzong to the Xianzong period (756-820 AD), the decorative method mostly adopts a multi -structured six -class method, and the plates are mostly three -footed, and the shape of the biposcope appears, that is, the shape of the imitation of animals, etc. Essence There are no high -foot cups, with a cup and a long cup.
Mo Zong to the end of the Tang Dynasty (821-907 AD), there are many types of device shapes, boxes and bowls of utensils have high circle feet. The bionic device has more shapes.
The gold and silver instrument: Qingli and Elegant
The Song Dynasty with the prosperity of the feudal cities and the development of the commodity economy, the production industry of gold and silver in various places was very prosperous. The number of gold and silver wares with inscriptions has also increased significantly, and it is also a major feature of the gold and silver instruments in the Song Dynasty, and has an important impact on the production of gold and silverware in Yuan, Ming, and Qing.
The gold and silverware of the Song Dynasty continued to innovate on the basis of the Tang Dynasty, forming a new feature of distinctive characteristics. Although it is not as plump and rich as the gold and silver wares of the Tang Dynasty, it has an elegant and beautiful style. This style is consistent with the overall style of the Song Dynasty art. Some people think that the art of the Song Dynasty did not have the macro power of the Tang Dynasty, but its national style was more perfect. Compared with the Tang Dynasty, the shape of the gold and silver in the Song Dynasty was exquisite, novel and elegant, and colorful. In contrast, the gold and silver utensils of the Tang Dynasty seemed to be magnificent, while the Song Dynasty was unique with light and exquisite. The gold and silverware of the Song Dynasty is extremely particular about the shape, which can be described as a variety of fancy.
The decoration of the gold and silver instruments in the Song Dynasty, it is characterized by elegant elegance. Although it is not as delicate as the Tang Dynasty patterns, it is not as good as Tang. Those who are plain are paying attention to the shape, and the gloss is pleasing; Compared with the Tang Dynasty, the theme of the Song Dynasty patterns comes from social life, and its performance content is more broad and more secular. It has a strong realism and a strong atmosphere of life.
It's production technology of the gold and silver instruments in the Song Dynasty, the techniques of silk inlaid and welding golden beads that have been popular since the Qin Dynasty are almost impressive. And more techniques such as hammer, carving, carving, casting, welding, etc. Sleeping techniques with heavy artistic effects are not seen in the production of gold and silverware before the Song Dynasty. The carving technology is further improved on the basis of the Tang Dynasty. The most distinctive feature is that the gold and silverware of the Song Dynasty adopted the decorative and relief blooming process of the eagle.
The gold and silver in the Song Dynasty, in its vertical development, also appeared in a large number of horizontal combinations. Gold, silver, paint, wood and other materials are combined with walls, and gold and silver are used for clothing, calligraphy and painting.
The gold and silver wares of Liaoning, Xixia, Jin, Dali and other countries during the Song Dynasty also discovered more. Generally speaking, its work and shape are affected by the production of gold and silverware in the Tang and Song dynasties, while at the same time, it has strong local national characteristics. As a result, the gold and silverware during this period show a colorful scene.
On the basis of the Song Dynasty, the shape and varieties of the gold and silver in the Yuan Dynasty have further developed, and have formed a more obvious style of the times. Compared with the Song Dynasty and the Ming Dynasty, there are not many gold and silverware that have been seen so far. However, from the literary materials, the gold and silver instruments at the time were not scarce.
In general, the gold and silver instruments of the Yuan Dynasty are similar to the Song Dynasty. The number of silverware is large. In addition to daily utensils and accessories, gold and silver device increases, such as bottle, box, bottle, 奁, and frame. Most gold and silver wares in the Yuan Dynasty were engraved with inscriptions, which was of great value for studying the development of gold and silverware in the Yuan Dynasty. From the perspective of styling decoration, the gold and silverware of the Yuan Dynasty still pays attention to the shape. There are many plain noodles. Most of the trims are more refined, or they are only decorated with local decoration. However, some gold and silver wares in the Yuan Dynasty also showed a gorgeous and complicated trend. This trend has obviously had an important impact on the change of gold and silver style.
The gold and silver instruments of the Ming and Qing Dynasties: Gorgeous Fan 缛
The Ming and Qing Dynasties are the late stage of feudal society in China, and the general trend of cultural development tends to be conservative. The production of gold and silver artifacts has changed since the Tang and Song dynasties, which has been plump and rich in vitality; either beautiful and elegant, with a sense of interest, and more and more gorgeous, strong, and the palace atmosphere is getting stronger and stronger. If you pass by the Chinese Gold and Silver History Gallery, then when you walk here, you will have a completely different feeling. The shape of the device is graceful and luxurious, and the gem is inlaid colorful, especially the dragon and phoenix patterns that are all full, symbolize the nobleness and power of being unacceptable. All of this is harmonious and consistent with the overall style of the entire palace decoration art of the Ming and Qing dynasties, but it is very different from the Song, Yuan gold and silver instruments that are posted in the secular life. However, the development trajectory of the two generations of the Ming and Qing Dynasties can be described as clearly visible, but the realm of dividing the wild is so clear. Generally speaking, the gold and silver wares of the Ming Dynasty have not been vivid and simple, but the gold and silver wares of the Qing Dynasty were extremely tidy. In terms of craftsmanship, the delicate and precise work of the gold and silverware of the Qing Dynasty was also indispensable for the Ming Dynasty.
In the decoration of the gold and silverware of the Ming Dynasty, the image or pattern of the dragon and phoenix occupies extremely important positions. This change has reached the Qing Dynasty and pushed to the extreme. Compared with the Song and Yuan dynasties, the plain noodles in the gold and silver wares of the Ming Dynasty are rare. Most of the decorative structure tend to be dense. The pattern tissue is usually covered with the whole body. In addition to the thin line carving, there are many relief decorations. There is an impact that cannot be ignored.
The gold and silverware in the Qing Dynasty, most of them, most of them were handed down. In terms of style, the gold and silverware of the Qing Dynasty had both traditional style inheritance and other arts, religions and foreign cultures. It is on the basis of this inheritance and absorption of multiple cultural and nutritional factors of ancient and modern Chinese and foreign, and the gold and silver craftsmanship of the Qing Dynasty has achieved unprecedented development, thereby showing the unprecedented view of ocean and colorful.
The ornaments and decorations of the gold and silver instruments in the Qing Dynasty have also changed a lot. It has no simplicity. At the same time, it reflects the unique tendency to pursue rich and luxurious in court gold and silver art. Its shape is more colorful with the diversity of utensils, and the decoration is characterized by dense and magnificent. Either elegant style, or magnificent, coupled with the embellishment of various gems of all kinds of gems, the entire utensils are colorful and brilliant. The processing characteristics of the gold and silver instruments of the Qing Dynasty can be summarized with refined and fine words. In terms of the shape, decoration, and color deployment of the utensils, the degree of innocence of the fire.
Since the Song, Yuan and Ming dynasties, the compound technology of the Qing Dynasty has also been very developed. The combination of gold and silver wares with enamel, pearl jade, gemstone, etc., is reflected in it, adding the noble and gorgeousness of the utensils.
It in the Qing Dynasty, many gold and silver wares of various ethnic minorities were also retained. These gold and silverware reflect the traditional customs and hobbies of various ethnic minorities at that time, and have obvious local colors and rich national styles.
In short, the gold and silver wares of the Qing Dynasty were rich and more skillful. Its manufacturing process includes Fan Zhu, Hammer, Fried beads, welding, cutting, silk, inlaid, dotcu, etc., and integrates various methods such as conflicts, hidden, yin lines, yang lines, and hollow. It should be said that the prosperity of the gold and silver craftsmanship in the Qing Dynasty not only inherited the traditional Chinese crafts and techniques, but also developed a strong foundation for the development and innovation of the gold and silver technology today.
—— ◇ Conclusion ◇ -
looking at the development of gold and silver wares, we can learn from it that each era has its unique artistic style, this kind of The style is not only a reflection of the aesthetic consciousness of that era, but also the spiritual style of that era. From the perspective of the vertical development of historical long river, the development of gold and silverware has its historical heritage, and in the same era, the development of gold and silverware will also be influenced and influenced by the horizontal penetration and influence from other cultural and artistic fields. Gold and silver wares are developed and developed on the rich cultural soil in China. It draws nutrition from other cultural and artistic fields, and has formed its own unique artistic style, becoming a wonderful work in Chinese culture. If Chinese culture is a magnificent river, and every detailed flow that remits in it makes her more broad and glorious, so that she can be more colorful and instrument. Isn't the gorgeous gold and silverware, isn't it a trickle that injects vitality and style for the huge entity of Chinese culture?
jewelry mountings and settings wholesale Although the gold earrings unearthed in the ancient tomb of Yumen in Yumen, Gansu, China are cast rough, it is the earliest real object of gold trim discovered in my country. The gold wares of the Shang Dynasty dominated the decorations, and the utensils were relatively small. Eye -shaped tiger decorations and gold, gold leaf, gold foil and other decorations unearthed from the Yinxu site in Anyang, Henan, golden masks and golden wares such as golden wares and gold wares found in the sacrifice pit of Sanxingdui Sanxingdui Samsui Sanxingdui In the Shang Dynasty, it has been widely used by the upper levels of society. The use of silver is late. At present, the silver wrong copper weapons during the Spring and Autumn Period are the earliest examples of silver.
The design and production process of the gold and silver wares of the Spring and Autumn Period and the Han Dynasty is already very superb. The production and application of gold and silver instruments in the Tang Dynasty reached the peak of history. In addition to the decorations, it also began to produce daily necessities such as tableware, tea sets, Buddhist magazines, and the variety was greatly increased.
The gold and silver manufacturing industry during the Song Dynasty was more commercialized. The emperor's and nobles, the minister of the prince, and the wealthy businessmen all enjoy a large number of gold and silverware. The jewelry and dietary utensils of the upper layers of people and the wine restaurants and the wine restaurants also use gold and silver wares. With the socialization of gold and silver wares, the gold and silverware of the Song Dynasty became elegant and full of life in terms of shape or decoration of the richness of the Tang Dynasty.
The gold and silver instrument manufacturing process in the Ming Dynasty was superb. The shape is solemn, the decoration is gorgeous, and the carving is fine. The utensils are made of tires, and the main patterns are made of hammer into convex patterns. The detailed method is carved with a filament process to form exquisite patterns. The gold and silver chisel "official work" or "behavior" or craftsman name and color.
The technology of the gold and silverware of the Qing Dynasty tended to be rich and fine. Color pursue gorgeous and beautiful beauty, and the style advocates strangeness.
The gold and silver utensils can be divided into two categories: gold and silver utensils and gold and silver accessories. They can also be divided into diet, facade seal, container, washingware, dressing utensils, furnishings, viewing products, and viewing products, and viewing products, furnishings, viewing products, and viewing products, and viewing products, and viewing products, viewing and viewing products. Religious sacrifice device, crown suit, hair accessories, neck ornaments, earrings, hands, arm ornaments, chest pendants, sword decorations, car and horse decorations, currency, miscellaneous wares and other categories.
The diet in gold and silver utensils include bottles, cups, plates, pots, cups, bowls, beans, crickets, pots, spoons, warm bowls, cups, tea sets, feathers, feathers. , Hold the pot, Huakou cup, tire beam pot, etc. The facade seal is printed with waist cards, signs, gold seals, etc. The container includes boxes, tanks, cans, 簋, etc. The washing device includes crickets, pots, washing, etc. Cosmetic makeup has combed, 具, knife, 奁, 镊, mirror frame, backbone, etc. The furnishing ornamental contains include furnace, aromatherapy, silver, golden bell, bottle, plate, hanging screen, bonsai, ceiling, and so on. Religious sacrifice instruments include statues, funerals, magic weapons, sacrifice, Ruyi, incense cases, plaque, bodhisattva, etc.
The crown clothes in gold and silver ornaments include phoenix crowns, crowns, crowns, gold and silver crowns, steps, crown flowers, etc. The hair accessories include, 钗, 笄, swaying, 钿 flowers, pearl flowers, etc. There are neck ornaments with necklaces, top circles, row circles, gold and silver crowns, head hoop, gold and silver horses, silver horses, gold and silver pins, gold and silver hat decorations, hanging decorations, long life, long life, long life Lock and wait. Earrings include earrings, earrings and earrings. Hand, arms, bracelets, bracelets, strips, rings, rings, thimbles, etc. The chest and waist pendants include collar, waist chain, belt, waist cards, etc. The currency categories include golden shells, golden bars, BRICS, golden boards, gold cakes, silver cakes, silver dollars, silver ingots, gold ingots, gold five baht , Horseshoe Gold, Lin toe Gold, Gold and Silver Kai Yuan Tongbao, etc.
wholesale jewelry market in karachi
international silver wholesale body jewelry